Santa didn't start this fight, but he sure as fruitcake is gonna end it! Ain't no giant Yeti gonna be munching on Kris Kringle's workforce and get away with it! Some heard him exclaim, as he drove the beast out of sight..."I know when you are sleeping...I know when you're awake..."
Okay...enough silliness. Here are photos of the last few stages of the sculpting process...pretty much the same techniques that I've shown all along. I added smaller pieces of sculpy to build the general shapes and flow of the Yeti's fur. Then I spent a good deal of time adding detail with various sculpting tools.
Once all the fur was done, I glazed the whole piece with oder-less solvent. Then I let it sit overnight, to set up after "melting" the sculpy to a smoother surface. I covered the bottom of a pie pan with a piece of aluminum foil, and placed the sculpture in the center of it. I baked the Yeti in the oven at about 250 degrees, for 30 minutes. After I turned off the heat, I opened the oven door, and just let it cool down slowly.
Next, I painted a gray-blue base-coat with acrylics, then several layers of glazes, building up from the darker values to the lightest...dry brushing and blending until I was satisfied with the results.
While waiting for the Yeti to bake, I started painting Santa...first a base coat of brown, then the colors I wanted. I then used very thin washes of tans, black, and various blues to add depth and variety to the paint job.
After all the painting was finished, I used super-glue GEL to fix Santa onto the back of the Yeti. I had left a hole in the Yeti's shoulder for the armature wire that protruded from Santa's foot. I had also sculpted a "foot hole" in the Yeti's back. Once the glue had set-up, I sculpted a little piece of "fur" out of plumbers epoxy to look like Santa's hand was holding on the the beard hair of the Yeti. A bit of touch-up paint to match the Yeti fur...and it's all finished!!